"As the euro-smug international art world continues to drop millions on chalet décor at this week's Art Basel in Switzerland, American collectors at the fair — and there are fewer than usual this year — have been talking excitedly about the bargain investment
opportunities presented by a relatively untapped market: contemporary Indian art."
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"Deeksha Nath traces the binding thread that runs through 'Fluid Structures - Gender and Abstraction', featuring works by six women artists."
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"At first glance, Arpita Singh's world seems timeless, serene and unrushed. But there is trouble in paradise and the artist's unflinching eye refuses to ignore it..."
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"The naked woman of monumental form stands vulnerable, her insides opened up for the viewer to examine. We see her blood-soaked heart, frail as a flower, and the cloth over her head fails to veil her fragile inner condition..."
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Arpita Singh's room-sized mural which was recently inaugurated in New Delhi brings many strains in her work to a fusion and elevates it to a new level..."
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"Meera Menezes analyzes 'In Conversation', a curated show of artists' sketchbooks and finished works on display at Gallery Espace, New Delhi."
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"Despite the current vogue for all things Indian, contemporary art from the subcontinent has remained a relative rarity in New York. This exhibition of recent paintings and watercolors by the Delhi-based artist Arpita Singh helps fill in the gap..."
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"The this first solo show in the United States for a 60-year-old artist from New Delhi, the earliest painting, "The White Chair", establishes a set of images and an elliptic, allegorical narrative style that carries into her more recent work..."
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"'The popular demand is that Durga should look like a film star' writes Arpita Singh, whose painting of the goddess came under controversy recently..."
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